In a world void of any real superheroes, NITROGRASS sprung to life from the heart of the rural Appalachians like unsightly mutants emerging from a hazardous chemical spill, with one singular mission: to take the world by storm, and with deadly force.  Perhaps “deadly force” is a bit of an exaggeration… but NITROGRASS certainly wields a fierceness most acoustic groups lack today.

     The percussive banjo of two-time national champion Charles Wood lays the foundation for the band’s unique style.  Merging traditional Scruggs style banjo with rhythmic motifs reminiscent of ZZ Top and the Allman Brothers, Charles’ playing is also melodic in its sensibility, evoking strong inflections with pure, driving syncopation.  Next the lock-chop of Shawn Lane’s mandolin and fiddle, from which occasional melodic passages erupt with fire and sensitivity.  Micah Hanks offers an intuitive array of acoustic guitar parts that are both anticipatory and improvisational, with strong vocal harmonies over the mix in a sonic separation that could make a Kentucky moon rise on demand.  Finally, the back beat of Leila Wood’s bass lines pushes the music of this southeastern powerhouse into a foray beyond the frontiers most acoustic musicians dare travel.

     NITROGRASS, both sonically unique and visually appealing in their performances, provides a carefree and exciting atmosphere of pure acoustic ear-fodder.  After all, everybody needs a favorite band; NITROGRASS works hard to narrow the options for you.